These routines have a dual purpose: to provide exercises that will help you carefully practice and prepare some of the standard works in the repertoire and to provide a daily dose of technical work using real music that is recognizable and well-liked by trombonists. Working on these studies will teach the value of breaking the music into chunks, isolating specific weaknesses in your playing and devising a strategy that will gradually, but unfailingly, bring you to a point where your weaknesses have become strengths.
These exercises include many that I’ve often wanted to teach my students during lessons but are too complex to teach on the spot, by ear. They also include ways in which I encourage my students to adapt their warm-up and technical work when they are preparing one of these solos. This book is certainly not exhaustive, but rather presents examples to get your mind thinking of creative ways to teach yourself, generating exercises on the spot that will remedy the difficulties you encounter. -the publisher
Contents:
• MARCELLO Sonata No 1 in F
• GALLIARD Sonata No 1 in Am
• DAVID Concertino
• RIMSKY-KORSAKOV Concerto
• GRAEFE Concerto
• BARAT Andante & Allegro
• GUILMANT Morceau Symphonique
• SAINT-SAENS Cavatine