This is a carefully paced method which incorporates pitch matching exercises which require alternating between playing and singing repeated pitches, groups of pitches, and eventually being able to sing and play challenging intervals accurately and in tune. This technique is explored via a mixture of short and extended exercises as well as some familiar melodies such as Amazing Grace, Danny Boy, America (God Save the Queen), Beethoven's Ode to Joy, and others. Exercises incorporate scales (major, minor, chromatic, whole tone), arpeggios (major, minor, diminished, augmented, dominant 7th), modes, lip slurs, spreading intervals, circle of 4ths exercises, chord progressions, Vining also includes more sophisticated and extended examples in which to apply the playing/singing approach: MARCELLO: Sonata in G; BIZET: Prelude to Act 1, from Carmen; MUSSORGSKY: Promenade, from Pictures at an Exhibition, MAHLER: Trauermarsch, from Symphony No. 5;TCHAIKOWSKY: Neapolitan Dance, from Swan Lake; BORDOGNI: Vocalises No. 2, 5, 6,12, 15; VINING: Jazz Study. -pc