This string quartet is just as mysterious to me as my first one was, though it is quite different in its overall ethos. The first movement is slow, with a rather quiet, compressed feeling, followed by a fast movement, whose lyrical sections are combined with a constant undercurrent of motion. The third movement is an experiment; nearly all of it is played on open strings, and its feeling is expansive. In the last, rather intense movement I have returned to material of the first two movements-it moves forward precipitously until it gets caught in a knot; then there is a fairly graphic depiction of shaking, and pulling at strings to undo the knot. Later it gets caught again, but the second knot is untied in a much different way. --Katherine Hoover, composer.