Includes eight polonaises, Anh G1; Bilder aus Osten, op 66; Ball-Szenen, op 109; Fantasy for Clarinet, op 73 (Jansen). NOTE Tis final work is a transcription for piano-four hands. No clarinet part was intended or included.
Category: Piano Composer Folios Item: 074776 Grade: Price: $49.95 Availability: Ships in 6 to 9 Days
This set of Romantic-era etudes, while relatively unknown, is a treasure trove for pianists and teachers. Ludvig Schytte (1848-1909) was a Danish composer, pianist, and teacher. He studied composition with Neils Gade and piano with Franz Liszt. These 16 piano solos present a wide variety of musical and technical challenges. While brief, they offer great rewards to today's busy students.
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This 250-page volume collects Scriabin's finest pieces, the complete etudes and preludes for the solo piano which includes many perfectly spun miniatures. Chopinesque works include the 12 etudes from Op. 8 and the 24 Preludes, Op. 11; Preludes, Opp. 33 and 48; and the Etudes, Op. 42.
(table of contents & sample pages)
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Romantic. In 1891, the year before his final exam at the music conservatory, Alexander Scriabin injured his right hand due to his ambitious practising. This seriously jeopardized his career as a pianist and the young musician plunged into a crisis. Yet Scriabin still managed to complete his piano studies in 1892, gaining a gold medal. His first published Piano Sonata op. 6 is, however, irrevocably linked to this time of crisis. The dark work reaches its climax at the end of the 3rd movement with ...
Romantic. Scriabin's two movement Piano Sonata no. 2 in g sharp minor was composed over a relatively lengthy period of time. He first began work on it in 1892, but in the summer of 1896, after Scriabin had performed the sonata several times in public in Paris, he dispiritedly told the publisher and patron Beljajev, with whome he was friends: "I have admittedly finished the sonata, yet I am completely dissatisfied with it, even though it has been revised seven times." The composer was only happy w...
Romantic (1897). Scriabin's third piano sonata is an early composition that was still fully written in the romantic tradition. For a long time it has been part of the core piano literature - and rightly so. In addition to the surviving sketches and the first edition (published in 1898), our edition of the sonata also takes into account a recording that Scriabin made of his work on a mechanical piano. The Russian Scriabin expert Valentina Rubcova knowledgeably sheds light on this unusual source si...
20th Century. Scriabin's ten complete piano sonatas offer a fascinating insight into the Russian composer's stylistic development. While his first works still fully reflect the late-romantic tradition, the late works keep bursting the bounds of tonality.The boldly outlined, two-movement Fourth Sonata marks a turning point, for it evokes the world of the "PoŠme de l'extase" with its mystical atmosphere hovering between ethereal rapture and ecstatic flight. The publication of opus 30 means that all...
20th Century. "A great poem for the piano" was how Scriabin described his fifth piano sonata. It was indeed composed at the same time as his great poem for orchestra "Le PoŠme de l'extase," and both works are based on the same literary program. Scriabin spent a long time honing the text, which represents his philosophic idea of the development of the world in poetic form, until its publication in a separate volume in 1906. About a year later Scriabin announced that he had completed his fifth sona...
G. Henle URTEXT edition. A work of transcendent beauty and rich programmatic allusions, Scriabin's single-movement sixth Piano Sonata is a highly expressive product of the composer's final outburst of piano music. This edition, by the renowned Scriabin scholar Valentina Rubcova (Moscow), is based on the early printed editions and the composer's virtually complete autograph manuscript. -the publisher
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G. Henle urtext edition. Skrjabin called his seventh sonata "White Mass," drawing attention to the mystical basis that is stamped on all his late works, including this one. He attempts here to translate into sound his ideal of a "mystery" - a "Gesamtkunstwerk" of artistic, theological and philosophical ideas. Its aim, as stated in his own words, is the raising up of the human spirit. No longer is the formal scaffolding of the work based principally around that of sonata form, but around the idea ...
20th Century (1912-13). In his last years, Scriabin realized a noble and great idea. Inspired by his study of theosophical writings, he dreamed of joining music, poetry, mime, architecture, light, color and even aromas to create a "Gesamtkunstwerk," and thus elevate human beings to a higher level of consciousness. This "Mysterium" was never completed, but his late piano sonatas-conceived as preliminary studies-enable us to see what moved Scriabin. He spent a particularly long time working on his ...
20th Century (1912-13). Skrjabin's 9th Sonata is often referred to as the "Black Mass." Unlike the 7th Sonata, the so-called "White Mass," this name did not stem from the composer. He writes: "In the ninth sonata I came closer than ever before to the Satanic...". The mystic-dark sphere fascinated Skrjabin. Anyone who listens to this bizarre work will involuntarily become caught up in the diabolical vortex - the music heads towards the sonata's dramatic conclusion as if being pulled in an undertow...