Only a few of Haydn's piano sonatas are in the minor mode, and they are all sombre and defiant in tone. This famous sonata in e minor opens with an impatient, throbbing motif in what is surely one of the most passionate movements by this Viennese master.The middle movement in G major, by contrast, transports us into a different world that is flooded with light. The finale sets off in a restless manner, and its alternation of major and minor provides a cheerfully ironic close to the work. You can ...
Classical. With this E minor piano sonata, Classical-era composer Haydn created a work that displays positively romantic traits. Agitation and excitement are expressed in the main ideas of the first movement, while contrasting seriousness and cheerfulness come into sharp relief in the finale. Of Haydn's sixty-or-so piano sonatas, the E minor Sonata numbers are among those of moderate difficulty. Our editor, Georg Feder, is considered one of the most important Haydn researchers of this time. Conse...
Baroque. 55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a "who's who" on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn's sonatas will further cement their place in the world of music. Volume I contains Haydn's early sonatas, very much still born of the spirit of the early Classical period: catchy music, fu...
Henle Urtext Edition in 3 volumes: 132758, 132759, 132760. The revision of the three-volume edition of Haydn's piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in "pure" Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume I contains Haydn's early sonatas, very much still born of the spirit of the early Classical period: catchy music, fun to play, often at a moderate level of difficult...
Baroque. 55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a "who's who" on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn's sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas...
Henle Urtext Edition in 3 volumes: 132758, 132759, 132760. The revision of the three-volume edition of Haydn's piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in "pure" Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume I contains Haydn's early sonatas, very much still born of the spirit of the early Classical period: catchy music, fun to play, often at a moderate level of difficult...
Baroque. 55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings - a "who's who" on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn's sonatas will further cement their place in the world of music. Volume III offers the crowning achievement of Haydn's sonata-writing with these late works, including famous works such as ...
Henle Urtext Edition in 3 volumes: 132758, 132759, 132760. The revision of the three-volume edition of Haydn's piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in "pure" Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume I contains Haydn's early sonatas, very much still born of the spirit of the early Classical period: catchy music, fun to play, often at a moderate level of difficult...
G. Henle Urtext edition. Edited by Sonja Gerlach, fingering by Christine Schornsheim. Haydn's last piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: "a melancholy andante in f minor, with variations, as only a genius can do them, that almost sounds like a free fantasia" (thus described in a review of the time). The form is also demanding: not merely one theme but two - one in a major key, the other in a minor one -...
G. Henle urtext edition. Setting of the Austrian national anthem for solo piano as conceived by the composer. Edited by Sonja Gerlach. Fingering by Christine Schornsheim.
Category: Piano Solos Item: 078119 Grade: Price: $9.95 Availability: Ships in 6 to 9 Days
The composition "1.X.1905," generally referred to as a "sonata," stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Jan cek's hometown Brno. Reacting to the violent death of a Czech worker, Jan cek wrote a three-part composition for piano originally bearing the title "From the Street, on October 1, 1905." Dissatisfied with the work, however, Jan cek is said to have first burned the third movement in his fireplace and then thrown the remainin...
Piano music occupies a small, but nevertheless musically important place in Janacek's oeuvre. Our edition of "In the Mists" by the seasoned Janacek editor Jirˇ Zahradka is an impressive example of this. The small cycle was composed in 1912 and first published the following year. But as was so often the case, Janacek was prompted to revise it. Following the first performance of the work in Prague by the pianist Stepan Vaclav in December 1922, the composer and interpreter jointly undertook a revisi...
Janacek's poetic cycle "On an overgrown path" is surely among his most popular piano works. Its evocative musical language will drawevery hearer under its spell. Listeners will not be able to discern that the pieces had a very complex and protracted genesis, with some originally intended for harmonium. With exemplary clarity, the accompanying texts in Henle's Urtext edition shed light on the complicated source situation. In addition, an appendix to the musical text contains those pieces that Jana...
G. Henle URTEXT edition. In 1883 the third volume of Annees de Pelerinage was published. Whereas the pieces in Volumes I and II were recollections of early travels in Switzerland and Italy, the new works, composed between 1867 and 1877, were more of a religious pilgrimage. Some parts already reflect Liszt's austere later compositional style. With the visionary Jeux d'eaux … la Villa d'Este, on the other hand, he almost enters the world of Impressionist sounds (it inspired Ravel to write his Jeux ...
The three volumes of the "Annees de pelerinage" (Years of Pilgrimage) are a core part of Liszt's pianistic output. While the first two collections comprise travel impressions from Switzerland and Italy in the 1830s, this final one, published only after along interval in 1883, reflects a spiritual journey. It is the expression of the changed circumstances of the composer, who had taken minor holy orders in Rome in 1865 and henceforth called himself the "Abbe Liszt." Several newly-discovered or ne...
Romantic. Often referred to as the "Dante Sonata," this single-movement sonata is based on the Canto "Inferno" in Dante's poem, which depicts the soul's descent into hell. Now available as a single Urtext edition.
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G. Henle URTEXT edition. Liszt wrote his two Ballades in 1845-49 and 1853 during a time of personal turmoil. The successful virtuoso increasingly saw himself as a composer who strove after formal clarity, as shown by the B minor sonata that was also composed in 1853. When Liszt began work on the first Ballade, he had just separated from his mistress of many years, Marie Comtesse d'Agoult. He called the first sketches for the work DerniŠres Illusions. A better-known work is the second Ballade in B...
G. Henle URTEXT edition. These six little piano pieces are among Liszt's best-known works are are comparatively easy to play - a rarity among the composer's often eccentric and virtuosic works. In 1844 Liszt had already begun work on the cycle that was only published in 1850. Although he had the pieces engraved, this version was never actually printed. He replaced no. 3, a precursor to the first Hungarian Rhapsody, with a piece in the style of a nocturne by Chopin (it can occasionally be heard as...
Liszt understood a "rhapsody" to signify the highest degree of musical freedom: a constant process of transformation and variation of themes and motifs, all bound up with constant shifts of emotion. According to one of its early reviewers, this first of Liszt's 19 Hungarian Rhapsodies is a prime example of "the art of thematic working such as no previous master has practised more fantastically, more expressively or more inventively." Despite this, it was somewhat overshadowed by the greater popul...
Liszt's piano rhapsodies are in the same tradition as his transcriptions of opera or song themes, but in this case the point of departure is folk dances and songs. Liszt described no. 2 of his Hungarian Rhapsodies, published in 1851, as "truly Hungarian," and a "brilliant companion piece" to his own concert showpiece the Grand Galop chromatique. And indeed, the work, with its strong dynamic and harmonic contrasts, quickly became popular and remains among his best-loved keyboard works. The long-i...
G. Henle URTEXT edition. Edited by Ernst Hettrich. Fingering by Andreas Groethuysen. Preface by Maria Eckhardt. Liszt's ninth Rhapsody is the "Carnival at Pest" - one of the few Hungarian Rhapsodies to which he gave a name. Once again Liszt turns to Hungarian folk melodies and fuses them with improvisatory elements. The result is a dazzling virtuosic firework display. The relaxed atmosphere of a Budapest carnival around 1840 is brought to life - indeed Liszt is said to have recorded several theme...
G. Henle urtext edition. Edited by Ernst Herttrich. Preface by Maria Eckhardt. Fingering by Andreas Groethuysen. The Rakoczi march is often referred to as the "Hungarian Marseillaise". The beginnings of this march song go back to around 1730. In the text, the Hungarians summon Franz II Rakoczi to free his people from the Habsburg oppression. The melody has been arranged many times, e. g. by Brahms and Berlioz, even Liszt made several arrangements of varying degrees of difficulty. He eventually di...
11 Well-Known Original Pieces in Progressive Order of Difficulty. Contents: Sehr langsam from Four Piano Pieces; Andantino from Four Piano Pieces; Andante con moto from Consolations; Un poco pi— mosso from Consolations; Quasi adagio; cantabile con devzione from Consolations; Hymne de l'enfant a son reveil from Harmonies po‚tiques et religieuses; Le mal due pays from Ann‚es de PŠlerinage, PremiŠre Ann‚e - Suisse; Il penseroso from Ann‚es de Pelerinage, Deuxieme Annee - Italie; Canzonetta del Salv...
Romantic. Edited by Norbert Gertsch & Veronika Giglberger. When Liszt took over the direction of the Court Opera in Weimar, he spent a great deal of time exploring Goethe's works. He was particularly attracted to the subject-matter of Faust. He used Nikolaus Lenau's "Faust", a comprehensive poem in 24 scenes, as the model for his orchestral work in two parts "Episodes from Lenau's Faust". The second part, "Dance in the Village Inn", was originally written for piano solo. He gave this wild piece w...
Romantic. Liszt's piano rhapsodies stand in the tradition of his transcriptions of operatic or song melodies, yet employ folk dances and songs as their source material. Completed in 1864, Rhapsodie espagnole is a late reminiscence of Liszt's extended travels to Spain and Portugal in 1844-45. On the basis of two popular Iberian dance tunes, Folia and Jota, Liszt here sets off fireworks of representative rhythms and tone colours with a highly virtuosic presto finale. The long inaccessible autograph...
Following the revision of Henle's facsimile of ) in 2015, they now present the corresponding new Urtext edition. With the help of the splendid facsimile reproduction they were able to analyze several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt's, in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt commented: "It is only b...
Romantic. Composed in the 1880s, the "Valses oubli‚es" (Forgotten Waltzes) allude to the fact that certain musical forms and genres were no longer fashionable. -the publisher
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