Romantic. On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those work...
Romantic. On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those work...
Romantic. On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those work...
Romantic. On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those work...
Robert Schumann placed great importance on the genre of the "overture", as can be seen in the chronology of the genesis of his sole opera Genoveva. In his "Haushaltbuch" the composer entered as his first idea "thoughts of an overture", then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that "the overture alone should enjoy a favorable reception". The Overture appeared in print at about the same time that the opera was pre...
Schumann had already worked on Byron's Manfred as a law student, and the topic fascinated him from that time on. Perhaps he discovered a spiritual affinity to himself in the romantic hero's inner conflict? In any event, he decided on a stage rendition ofthe drama with incidental music, an entirely new genre that he had been dreaming of for some time already. He conducted the overture - it dates from 1848 - for the first time as a separate piece in March 1852. In addition, he followed the preparat...
The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had dire...
That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Overture, Scherzo and Finale. Unlike the traditional symphonic form, this work has no slow movement. Schumann spoke of it as a suite which hints at a loose connection of movements and as a sinfonietta. Ultimately, he decided to name it after the headings of the three movements which also share common tr...
The question "Why add music to such perfect poetry?" preoccupied Schumann long and intensively. His first compositional approach to Goethes "Faust" began in 1844, but it was not until 1851 that he finally completed the Scenes. At Liszts suggestion, Schumann added an overture in 1853, a symphonic "instrumental introduction" which atmospherically evokes the action of the Scenes but has no direct thematic reference to them. As an independent overture, the work has been played relatively rarely in co...
Schumann's close collaboration with the David quartet, together with the valuable advice of his friend Mendelssohn Bartholdy, led the composer to make extensive changes to the Streichquartette op. 41 before publication in December 1842. The present edition is hence to be thought of as a critical Urtext edition; it offers in fact to those interested, an invaluable glimpse into Schumann's creative process and his striving for the final form of his string quartets. All the deletions, changes, and th...
New Collected Works edition, published by DSCH (official Russian edition authorized by the Shostakowich estate). Cloth/hard cover. Volume 1 includes Symphony No 1. Full score only - parts not included.
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Masterly compositions reveal the Finnish composer's great gifts for thematic development and formal structure, as well as his ability to infuse his music with strong, tightly reined emotion. Reproduced directly from authoritative German editions. Table of contents. List of instruments. Reprint of the Breitkopf & Hrtel, Leipzig; Schlesinger, Berlin; and State Music Publishers, Moscow, editions. Full orchestral scores of: • Finlandia • Valse Triste • The Swan of...
With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world (not only) by horn players, and together with Mozarts masterworks numbers among the essential pieces in the instrument's repertoire. Peter Damm, former principal horn for the Staatskapelle Dresden and world-class soloist, has not only performed the concerto publicly over 170 times himself, but has also presented piv...
When he was a mere 18 years old, Richard Strauss composed the highly Romantic, one-movement Serenade for Wind Instruments, op. 7. Extremely popular among wind players to this day, this work recalls in instrumentation and structure Mozart's "Gran Partita," which certainly served as a model for Strauss. The serenade was not premiered in its Bavarian homeland as might have been expected, but rather in Dresden, in 1882, under the direction of the then much-esteemed conductor Franz Wllner, who had al...
Score to the popular chamber work. Individual parts are available on rental only, direct from the publisher. -cdp In this authoritative new edition of Stravinsky's dramatic masterpiece, Histoire du Soldat, the publishers have sought to rationalise all the various, and sometimes conflicting, amendments made by the composer during his life time. This edition is for all who have an interest in the great musical masterpieces of the twentieth century. To be read, played and danced in two parts. Score...