"Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work. The 1st movement (Moderato) has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds of divisi strings. The tonality is indefinite with many harmonic changes. The music gradually builds up more and more leading the listener to the 2nd movement (Vivace) energico in which the piano makes its first appearance, adding rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the orchestra and solo Trombonist accelerate together into a major climax. With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement (Adagietto). This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto. The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition. The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic." -the publisher/cdp