As Glinka himself realised, the Viola Sonata is the most successful of his pre-Italian compositions; although intended primarily for domestic music-making (Glinka himself played both viola and piano) it contains, to use his own expression, "some quite clever counterpoint." Free from the Italianate mannerisms which mar some of his larger chamber works, it has a directness and charm which make it an important addition to the viola repertoire (from the preface) -the publisher