Edwards T396AR Trombone Outfit w/AR-1 Rotary Valve & Open Wrap F Attachment

Trombones - New

  • Edwards

    Trombone Outfit w/AR-1 Rotary Valve & Open Wrap F Attachment

    From the very beginning, the T396-A trombone was conceived and crafted to meet and exceed the demands of professional trombonists throughout the world. To not only excel from the orchestra's back row but to be versatile enough to transition from section to solo. From world-famous symphony stage to intimate recital hall. An instrument with the ability to span every aspect of trombone performance. Designed, tested, and proven with orchestral players from St. Louis, Washington DC, and, of course, New York.The T396 is an instrument meant to crown the low brass section while still blending with the orchestra. At the same time, it must be able to perform center stage as a solo instrument. An important balance often overlooked in trombone design and manufacture.

    At the time of its introduction, the T396-A tenor became an industry leader for design innovation and performance. Revolutionary approaches to bracing systems, materials, and manufacturing techniques resulted in a trombone unlike anything else on the market. That forward-thinking approach and constant drive for advancement has led to the new, reimagined T396-AR tenor trombone.

    As the latest evolution of the T396, the T396-AR is the result of years of in house development and on stage, performance-driven testing. Every millimeter of the instrument was evaluated to achieve matchless performance. From the end crook to tuning slide, bell flare to rotor body, no element of the original design was considered sacred. The end result is a trombone design built on the foundation laid by the T396-A of the past, optimized for the next generation of great trombonists.

    New design enhancements include:

    1. AR-1 Artist Rotor
    We did our homework when developing the new, Edwards exclusive, AR-1 Artist Rotor. Seeking a balance between a responsive, free-blowing feel and wonderful, large bore tenor sound we tested countless rotor configurations and designs on the market. It wasn't long until we realized what we wanted for the new T396 did not yet exist. The only option left was to develop our own rotor design. One that outperforms every other "conventional" rotor available in every way. All while feeling as if there is no rotor there at all.

    2. Historically Crafted Tuning Slide Bow
    "They don't make them like they used to" is a cliché we are all familiar with. Sometimes the new way is to speed production and cut costs. And sometimes it is out of necessity because of generational knowledge loss. Over time, the new way becomes standard and accepted as just the way it is done. This is the case with many modern-day brass instruments_ especially the tubing. In the past, every non-machined part of an instrument was formed out of sheet stock. A labor-intensive, time-consuming, and costly technique requiring a higher skill level than many possessed. Today, the industry standard is to form all tubing from a larger, thicker raw stock tubing. Why? It's quicker, cheaper, and requires much less training to do well. While it is consistent, the question we wanted answered was "Is it better?". We set out to test this by making a tuning slide crook that was hand formed and shaped entirely out of sheet stock. The learning curve was steep with a lot of variables to iron out, but theend result is a tuning slide that is more responsive, colorful, and tonally complex.

    3. Scalloped Harmonic Bridge
    Perhaps the single most important design element of the original T396 was the introduction of the patented (US Pat No 8,247,675) Harmonic Pillar System. For the first time, musicians were presented with a fixed instrument that could be "acoustically tuned" to meet their specific playing style, setting, and needs. Pivotal to this system was the Edwards exclusive Harmonic Bridge brace. Much more than just a place to put the Harmonic Pillars, the Harmonic Bridge is critical to the entire bell section bracing system. The new, scalloped version has been strategically lightened to reduce the central bell section weight, thus dramatically improving energy transference within the trombone.

    4. ???
    Sometimes in life, we all need a little mystery. Among the advancements to the T396 design are a few proprietary improvements we've decided to keep to ourselves. And while we aren't going to spotlight them, you will undoubtedly pick up on just that little something extra when you try the T396-AR for yourself. They make up that last 1% of greatness that can't be explained on a spec sheet. That little sprinkle of something special that can't be measured or quantified or, most importantly, copied. It's our secret sauce or secret formula kept under lock and key. You can't really blame us, everybody likes to have a secret or two.

    Edwards Trombone Outfit w/AR-1 Rotary Valve & Open Wrap F Attachment

    • Category: Trombones - New
    • Item: 127354
    • Grade/Level: Professional
    • Our Price: $5865.00  MSRP: $ Save: $ (00%)

    • (usually ships in 90 to 135 days)
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Woodwind Instrumentation Codes

Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:

Description Price
Rimsky-Korsakov
Quintet in Bb [1011-1 w/piano]
Item: 26746		 $28.75

The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute, the second for Oboe, the third for Clarinet, the fourth for Bassoon, and the fifth (separated from the woodwinds by a dash) is for Horn. Any additional instruments (Piano in this example) are indicated by "w/" (meaning "with") or by using a plus sign.

Flute   Oboe   Clarinet   Bassoon   —   Horn

This woodwind quartet is for 1 Flute, no Oboe, 1 Clarinet, 1 Bassoon, 1 Horn and Piano.

Sometimes there are instruments in the ensemble other than those shown above. These are linked to their respective principal instruments with either a "d" if the same player doubles the instrument, or a "+" if an extra player is required. Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:

0,2+1,0,1-0

Note the "2+1" portion means "2 oboes plus english horn"

Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

Brass Instrumentation Codes

Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:

Description Price
Copland
Fanfare for the Common Man [343.01 w/tympani]
Item: 02158		 $14.95

The bracketed numbers tell you how many of each instrument are in the ensemble. The first number stands for Trumpet, the second for Horn, the third for Trombone, the fourth (separated from the first three by a dot) for Euphonium and the fifth for Tuba. Any additional instruments (Tympani in this example) are indicated by a "w/" (meaning "with") or by using a plus sign.

Trumpet     Horn     Trombone   .   Euphonium     Tuba

Thus, the Copland Fanfare shown above is for 3 Trumpets, 4 Horns, 3 Trombones, no Euphonium, 1 Tuba and Tympani. There is no separate number for Bass Trombone, but it can generally be assumed that if there are multiple Trombone parts, the lowest part can/should be performed on Bass Trombone.

Titles listed in our catalog without bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

People often ask us about "PJBE" or "Philip Jones" instrumentation. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. It consists of the forces 414.01, and often includes Percussion and/or Tympani. In addition, there are often doublings in the Trumpet section - Piccolo and Flugelhorn being the most common. While this instrumentation has come to be common, it is still not "Standard" as many Brass Dectets use very different forces, most often with more Horns than PJBE.

String Instrumentation Codes

Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:

Description Price
Atwell
Vance's Dance [0220]
Item: 32599		 $8.95

These numbers tell you how many of each instrument are in the ensemble. The first number stands for Violin, the second for Viola, the third for Cello, and the fourth for Double Bass. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual 2110. Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

Orchestra & Band Instrumentation Codes

Following some titles in our Orchestra & Band catalogs, you will see a numeric code enclosed in square brackets, as in these examples:

  Order Qty Description Price
Beethoven
Symphony No 1 in C, op 21
[2,2,2,2-2,2,0,0, tymp, 44322] 		$150.00
Jones
Wind Band Overture
[2+1,1,3+ac+bc,2,SATB-2+2,4,3+1,1, tymp, percussion, double bass] 		$85.00
MacKenzie
Hines Pond Fantasy (DePaolo)
[2d1+1,1,2+1,1-2,2(+2),3,0, perc, tymp, 44322, Eb clarinet, SAATB saxes, trombone solo] 		$75.00

The bracketed numbers tell you the precise instrumentation of the ensemble. The system used above is standard in the orchestra music field. The first set of numbers (before the dash) represent the Woodwinds. The set of numbers after the dash represent the Brass. Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part (first violin, second violin, viola, cello, bass). Other Required and Solo parts follow the strings:

Woodwinds—Brass,   Percussion,   Strings,   Other

Principal auxilary instruments (piccolo, english horn, bass clarinet, contrabassoon, wagner tuba, cornet & euphonium) are linked to their respective instruments with either a "d" if the same player doubles the auxiliary instrument, or a "+" if an extra player is required. Instruments shown in parenthesis are optional and may be omitted.

Example 1 - Beethoven:

[2,2,2,2-2,2,0,0, tymp, 44322]

The Beethoven example is typical of much Classical and early Romantic fare. In this case, the winds are all doubled (2 flutes, 2 oboes, 2 clarinets and 2 bassoons), and there are two each horns and trumpets. There is no low brass. There is tympani. Strings are a standard 44322 configuration (4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass). Sometimes strings are simply listed as "str," which means 44322 strings.

Example 2 - Jones: (concert band/wind ensemble example)

[2+1,1,3+ac+bc,2,SAATB-2+2,4,3+1,1, tymp, percussion, double bass]

The second example is common for a concert band or wind ensemble piece. This ficticious work is for 2 flutes (plus piccolo), 1 oboe, 3 clarinets plus alto and bass clarinets, 2 bassoons, 5 saxes (soprano, 2 altos, tenor & bari), 2 trumpets (plus 2 cornets), 3 trombones, euphonium, tuba, tympani, percussion and double bass. Note the inclusion of the saxes after bassoon for this band work. Note also that the separate euphonium part is attached to trombone with a plus sign. For orchestral music, saxes are at the end (see Saxophones below. It is highly typical of band sets to have multiple copies of parts, especially flute, clarinet, sax, trumpet, trombone & percussion. Multiples, if any, are not shown in this system. The numbers represent only distinct parts, not the number of copies of a part.

Example 3 - MacKenzie: (a fictional work, by the way).

[2d1+1,1,2+1,1-2,2(+2),3,0, perc, tymp, 66432, Eb clarinet, SAATB saxes, trombone solo]

In the third example, we have a rather extreme use of the system. It is an orchestral work for piccolo, 2 flutes (1 of whom doubles on piccolo), 1 oboe, 2 clarinets plus an additional bass clarinet, 1 bassoon, 2 horns, 2 trumpets (plus an optional 2 cornets), 3 trombones, no tuba, percussion, tympani, 6 first violins, 6 second violins, 4 violas, 3 cellos, 2 double basses, Eb clarinet (as an additional chair, not doubled), 5 saxes (soprano, 2 alto, tenor & baritone) & a trombone soloist.

Note: This system lists Horn before Trumpet. This is standard orchestral nomenclature. Unless otherwise noted, we will use this system for both orchestra and band works (in most band scores, Trumpet precedes Horn, and sometimes Oboe & Bassoon follow Clarinet). Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.

Saxophones, when included in orchestral music (they rarely are) will be shown in the "other instrument" location after strings and before the soloist, if any. However for band music, they are commonly present and therefore will be indicated after bassoon as something similar to "SAATB" where S=soprano, A=alto, T=tenor and B=baritone. Letters that are duplicated (as in A in this example) indicate multiple parts.

And finally, here is one more way to visualize the above code sequence: