20th Century (1999). This powerful, poetic work thoroughly explores the many voices of the trombone. Written for solo trombone & passive piano, it was inspired by by the writings of a 16th century mystic. Makes an excellent recital piece. Movements entitled: The first, that it flies to that which is highest; The second, that it does not suffer companionship, even of its own kind; The third, that it points its beak toward the sky; The fourth, that it does not have a definite color; The fifth, that it sings sweetly.