James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...