Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium-Shallow "B" cup. • 0.295" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3AL. "The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium "C" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to Bach 2G in diameter. • Equivalent to Greg Black 3. • Gold plated. The primary objective in creating the Griego Artist line was to provide a great mouthpiece as well as a great mouthpiece series. Each series currently has six cup depths (A, B, C, D...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium "C" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3. The primary objective in creating the Griego Artist line was to provide a great mouthpiece as well as a great mouthpiece series. Each series currently has six cup depths (A, B, C, D, E and F, with F being t...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium-Deep "D" cup. • 0.295" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3AL. • Gold plated. "The D cup is built for those who feel the C cup is too shallow and the E cup too deep." -Griego The primary objective in creating the Griego Artist line was to provide a...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium-Deep "D" cup. • 0.295" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3AL. "The D cup is built for those who feel the C cup is too shallow and the E cup too deep." -Griego The primary objective in creating the Griego Artist line was to provide a great mouthpiece as well a...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Deep "E" cup. • 0.283" throat. • Compares roughly to a Bach 3G (though 0.09mm smaller) in diameter. • Equivalent to Greg Black 3.25. • Gold plated. "Leaving the rim and cup diameter exactly the same [as the 3C] and only adjusting the throat and cup volume (depth) makes a lot of sense. This mouthpiece is used by Joe on works t...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Deep "E" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to a Bach 3G in diameter. • Equivalent to Greg Black 3.25. "Leaving the rim and cup diameter exactly the same [as the 3C] and only adjusting the throat and cup volume (depth) makes a lot of sense. This mouthpiece is used by Joe on works that require a larger widt...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Very Deep "F" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to Bach 2G in diameter. • Equivalent to Greg Black 3.5. • Gold plated. "The largest 3 series cup depth allows for playing second and third parts comfortably and bridging the gap between principal and the bass chair." -Griego The primary objective ...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Very Deep "F" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3.5. "The largest 3 series cup depth allows for playing second and third parts comfortably and bridging the gap between principal and the bass chair." -Griego The primary objective in creating the Griego A...
A large bass trombone mouthpiece, similar to a Bach 1G. Supplied with new Getzen bass trombones. • 27.99mm cup diameter. • 7.92mm (0.312") throat. • Gold plated.
Category: Bass Trombone Mouthpieces Item: 077461 Grade: List Price: $320.00 OUR PRICE: $279.00 Availability: Ships in 14 to 21 Days
A large bass trombone mouthpiece, similar to a Bach 1G. Supplied with new Getzen bass trombones. • 27.99mm cup diameter. • 7.92mm (0.312") throat. • Silver plated.
Category: Bass Trombone Mouthpieces Item: 077460 Grade: List Price: $240.00 OUR PRICE: $179.95 Availability: Usually Ships in 24 Hours
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...