A large bass trombone mouthpiece, slightly larger than a Schilke 59. • 28.65mm cup diameter. • 8.0mm (0.315") throat bore. • Silver plated. The model "B.75" is ten thousandths larger than than the Griego B1 and ten thousandths smaller than the "B.5." By adding this model, we are making a conscious effort to provide every bass trombonist with the ideal mouthpiece. Traditional "New York" styleexterior is similar in appearance to Bach models, but slightly heavi...
A large bass trombone mouthpiece, slightly larger than a Schilke 59. • 28.65mm cup diameter. • 8.0mm (0.315") throat bore. • Silver plated. The Griego Nouveau series was created to give players the flexibility of a lighter mouthpiece. It provides a width of sound and wider partial feel for a natural playing experience. Every tone and timbre can be manipulated, making the Nouveau a very expressive mouthpiece. - the manufacturer
Category: Bass Trombone Mouthpieces Item: 084677 Grade: List Price: OUR PRICE: $195.00 Availability: Ships in 10 to 15 Days
A large bass trombone mouthpiece, larger than a Bach 1G but smaller than a Schilke 59. • 28.40mm cup diameter. • 8.0mm (0.315") throat bore. • Silver plated. Orchestral players who play a 59 or 1.25 will love the feel of the Griego 1. Most bass trombone mouthpieces are unbalanced, which causes a wide array of sound widths and tonal colors throughout the different registers. We have paid very close attention to the balance between the cup, throat, and backbor...
A large bass trombone mouthpiece, larger than a Bach 1G but smaller than a Schilke 59. • 28.40mm cup diameter. • 8.0mm (0.315") throat bore. • Silver plated. Orchestral players who play a 59 or 1.25 will love the feel of the Griego 1. Most bass trombone mouthpieces are unbalanced, which causes a wide array of sound widths and tonal colors throughout the different registers. We have paid very close attention to the balance between the cup, throat, and backbor...
A large bass trombone mouthpiece, larger than a Bach 1G but smaller than a Schilke 59. • 28.40mm cup diameter. • 8.0mm (0.315") throat bore. • Silver plated. The Griego Nouveau series was created to give players the flexibility of a lighter mouthpiece. It provides a width of sound and wider partial feel for a natural playing experience. Every tone and timbre can be manipulated, making the Nouveau a very expressive mouthpiece. - the manufacturer
...
A large bass trombone mouthpiece, larger than a Bach 1G, but smaller than a Schilke 59. • 28.30mm cup diameter. • 7.92mm (0.312") throat bore. • Silver plated. Orchestral players who play a 58 or 1.5 will love the feel of the Griego 1.5. Most bass trombone mouthpieces are unbalanced, which causes a wide array of sound widths and tonal colors throughout the different registers. We have paid very close attention to the balance between the cup, throat, and back...
A large bass trombone mouthpiece, larger than a Bach 1G, but smaller than a Schilke 59. • 28.30mm cup diameter. • 7.92mm (0.312") throat bore. • Silver plated. Orchestral players who play a 58 or 1.5 will love the feel of the Griego 1.5. Most bass trombone mouthpieces are unbalanced, which causes a wide array of sound widths and tonal colors throughout the different registers. We have paid very close attention to the balance between the cup, throat, and back...
A large bass trombone mouthpiece, larger than a Bach 1G, but smaller than a Schilke 59. • 28.30mm cup diameter. • 7.92mm (0.312") throat bore. • Silver plated. The Griego Nouveau series was created to give players the flexibility of a lighter mouthpiece. It provides a width of sound and wider partial feel for a natural playing experience. Every tone and timbre can be manipulated, making the Nouveau a very expressive mouthpiece. - the manufacturer
...
A large bass trombone mouthpiece, similar to a Bach 1G. • 27.99mm cup diameter. • 7.92mm (0.312") throat bore. • Silver plated. Flexibility and comfort are not to be sacrificed with this mouthpiece. The slightly flat rim in combination with the medium deep cup makes this a great solo type mouthpiece. The model 1.5 is also good for commercial and jazz playing. Sleek "Deco" style exterior is heavier than traditional models, allowing for a darker, more focused ...
A large bass trombone mouthpiece, similar to a Bach 1G. • 27.99mm cup diameter. • 7.92mm (0.312") throat bore. • Silver plated. Flexibility and comfort are not to be sacrificed with this mouthpiece. The slightly flat rim in combination with the medium deep cup makes this a great solo type mouthpiece. The model 1.5 is also good for commercial and jazz playing. Traditional "New York" style exterior is similar in appearance to Bach models, but slightly heavier,...
A large bass trombone mouthpiece, similar to a Bach 1G. • 27.99mm cup diameter. • 7.92mm (0.312") throat bore. • Silver plated. The Griego Nouveau series was created to give players the flexibility of a lighter mouthpiece. It provides a width of sound and wider partial feel for a natural playing experience. Every tone and timbre can be manipulated, making the Nouveau a very expressive mouthpiece. - the manufacturer
Category: Bass Trombone Mouthpieces Item: 084673 Grade: List Price: OUR PRICE: $195.00 Availability: Ships in 10 to 15 Days
A medium bass trombone mouthpiece, sized in between a Bach 1.25G and 1.5G, and a little smaller than a Schilke 58. • 27.30mm cup diameter. • 7.39mm (0.291") throat bore. • Silver plated. Sleek "Deco" style exterior is heavier than traditional models, allowing for a darker, more focused sound. Players who play a Bach 1.5 will love the feel of the Griego 2. Most bass trombone mouthpieces are unbalanced, which causes a wide array of sound widths and tonal colors...
A medium bass trombone mouthpiece, sized in between a Bach 1.25G and 1.5G, and a little smaller than a Schilke 58. • 27.30mm cup diameter. • 7.39mm (0.291") throat bore. • Silver plated. Traditional "New York" style exterior is similar in appearance to Bach models, but slightly heavier, with the weight distributed evenly around the bottom of the cup. Players who play a Bach 1.5 will love the feel of the Griego 2. Most bass trombone mouthpieces are unbalanced,...
A medium bass trombone mouthpiece, sized in between a Bach 1.25G and 1.5G, and a little smaller than a Schilke 58. • 27.30mm cup diameter. • 7.39mm (0.291") throat bore. • Silver plated. The Griego Nouveau series was created to give players the flexibility of a lighter mouthpiece. It provides a width of sound and wider partial feel for a natural playing experience. Every tone and timbre can be manipulated, making the Nouveau a very expressive mouthpiece. Play...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Shallow "A" cup. • 0.295" throat. • Compares roughly (though 0.09mm smaller) to Bach 2G in diameter. • Equivalent to Greg Black 3AL. • Gold plated. The primary objective in creating the Griego Artist line was to provide a great mouthpiece as well as a great mouthpiece series. Each series currently has six cup depths (A, B, C...
Large shank trombone mouthpiece for the advanced player. • 26.92mm (1.060 inch) cup diameter. • Shallow "A" cup. • 0.295" throat. • Compares roughly (though somewhat larger) to a Bach 2G in diameter. • Equivalent to Greg Black 1AL. "The perfect solo mouthpiece for the principal trombonist. Large, demanding works and solos require equipment to be its most efficient. The shallow cup of the 1A allows for ease in the upper register and ...
Large shank trombone mouthpiece for the advanced player. • 26.92mm (1.060 inch) cup diameter. • Medium-Shallow "B" cup. • 0.295" throat. • Compares roughly (though somewhat larger) to a Bach 2G in diameter. • Equivalent to Greg Black 1AL. The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the la...
Large shank trombone mouthpiece for the advanced player. • 26.92mm (1.060 inch) cup diameter. • Medium "C" Cup • 0.283" throat. • Compares roughly (though somewhat larger) to a Bach 2G in diameter. • Equivalent to Greg Black 1. "This configuration provides the carrying power necessary to sit on top of an orchestral low brass section, as well as a warmth of sound and resonance in all registers." -Griego/cdp The primary objective in ...
Large shank trombone mouthpiece for the advanced player. • 26.92mm (1.060 inch) cup diameter. • Medium-Deep "D" Cup • 0.283" throat. • Compares roughly (though somewhat larger) to a Bach 2G in diameter. • Equivalent to Greg Black 1. "The D cup is built for those who think the C is too shallow and the E too deep." -Griego The primary objective in creating the Griego Artist line was to provide a great mouthpiece as well as a great mo...
Large shank trombone mouthpiece for the advanced player. • 26.92mm (1.060 inch) cup diameter. • Deep "E" cup. • 0.283" throat. • Compares roughly (though somewhat larger) to a Bach 2G in diameter. • Equivalent to Greg Black 1.25. "Leaving the rim and cup diameter exactly the same [as the 1C] and only adjusting the throat and cup volume (depth) makes a lot of sense. This mouthpiece is used on works that require a larger width of so...
Large shank trombone mouthpiece for the advanced player. • 26.92mm (1.060 inch) cup diameter. • Very Deep "F" cup. • 0.283" throat. • Compares roughly (though somewhat larger) to a Bach 2G in diameter. • Equivalent to Greg Black 1.5. "The largest cup depth allows for playing second and third parts comfortably and bridging the gap between principal and the bass chair." -Griego The primary objective in creating the Griego Artist li...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Shallow "A" cup. • 0.295" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3AL. "Long, demanding works require the equipment become more effficient. The shallower cup allows for ease in the upper register and a more brilliant sound to carry over the orchestra or piano. " -Griego ...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium-Shallow "B" cup. • 0.295" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3AL. "The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium "C" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3. The primary objective in creating the Griego Artist line was to provide a great mouthpiece as well as a great mouthpiece series. Each series currently has six cup depths (A, B, C, D, E and F, with F being t...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Medium-Deep "D" cup. • 0.295" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3AL. "The D cup is built for those who feel the C cup is too shallow and the E cup too deep." -Griego The primary objective in creating the Griego Artist line was to provide a great mouthpiece as well a...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Deep "E" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to a Bach 3G in diameter. • Equivalent to Greg Black 3.25. "Leaving the rim and cup diameter exactly the same [as the 3C] and only adjusting the throat and cup volume (depth) makes a lot of sense. This mouthpiece is used by Joe on works that require a larger widt...
Large shank trombone mouthpiece for the advanced player. • 26.66mm (1.0495 inch) cup diameter. • Very Deep "F" cup. • 0.283" throat. • Compares roughly (though 0.09mm smaller) to a Bach 2G in diameter. • Equivalent to Greg Black 3.5. "The largest 3 series cup depth allows for playing second and third parts comfortably and bridging the gap between principal and the bass chair." -Griego The primary objective in creating the Griego A...
A large bass trombone mouthpiece, similar to a Bach 1G. Supplied with new Getzen bass trombones. • 27.99mm cup diameter. • 7.92mm (0.312") throat. • Gold plated.
Category: Bass Trombone Mouthpieces Item: 077461 Grade: List Price: $320.00 OUR PRICE: $279.00 Availability: Ships in 14 to 21 Days
A large bass trombone mouthpiece, similar to a Bach 1G. Supplied with new Getzen bass trombones. • 27.99mm cup diameter. • 7.92mm (0.312") throat. • Silver plated.
Category: Bass Trombone Mouthpieces Item: 077460 Grade: List Price: $240.00 OUR PRICE: $179.95 Availability: Usually Ships in 24 Hours
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
Our latest bass trombone mouthpiece line was developed for David Taylor. Regardless of size, each of these models offer the sound and feel characteristics required by Dave to accomplish his craft. They offer balanced tonality and compression across the registers and project without losing body or resonance. Attacks are lightning quick. Simply put, these mouthpieces perform! Excitement and energy is often lost with many pieces. That's not the case with the David Taylor line. We are happy to bring...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Audition Model mouthpiece was developed over the course of 14 years of auditioning for professional orchestras. I needed a mouthpiece that was designed to deliver my performance into the laps of the committee with impeccable sound, articulations, andslotting of pitch. This mouthpiece makes my fundamentals rock solid and has a singular goal of making my performance check all the boxes. It produces a clear, direct, vibrant sound that can travel to the back of any concert hall with clarity and p...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Orchestral Model mouthpiece was arrived at after several years of trying various mouthpieces with the goal of a big, warm sound that can hug the low brass in resonance. This mouthpiece truly fits that description in every way. It naturally provides the breadth of sound needed to provide a solid foundation in the bottom of any trombone section. It's sound can carry through the orchestra without protruding from the ensemble's overall sound. On this mouthpiece, I feel that I can achieve any dyna...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
The Recital Model mouthpiece was developed to showcase a broad spectrum of overtones in my sound. I wanted a mouthpiece that would allow me maximum freedom of expression and choice of color when performing different solo repertoire. This mouthpiece is the perfect combination of a broad, beautiful sound with just the right amount of response to allow for the performer to have total control of their harmonics and articulation. Be ready to experience a huge palette of sound and articulation options ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
James Markey and I have worked together on instrument setups since the 1990s. Back then, Jim was the Associate Principal in the New York Philharmonic, playing tenor trombone full time. Then Jim decided to audition for the open bass trombone chair in the orchestra and asked me to build an instrument that would be audition capable. We worked together on an Edwards B454 setup that he not only performed on in the New York Phil, but one he also used to win the Boston Symphony bass trombone audition. ...
This mouthpiece is very well balanced. I work with a lot of bass trombonists, so I'm quite sensitive to the needs of you guys. While we all love big bass trombone sounds, a bombastic low register usually equates to a wide-open, "false ringing" upper register. This piece addresses that with a big bass sound in the low register that also works great in the upper register. And it does that without being overly bright. - the manufacturer Now for the specs. This GP model has a 28.58mm cup diameter a...