French Foreign Legion; From Here To Eternity; From This Moment On; Full Moon And Empty Arms; Gone With The Wind; The Good Life; Here's That Rainy Day; Here's To The Losers; Hey! Jealous Lover; High Hopes; The House I Live In; How Deep Is The Ocean (How High Is The Sky); How Little We Know; I Can't Believe I'm Losing You; I Can't Get Started With You; I Concentrate On You; I Could Write A Book; I Don't Know Why (I Just Do); I Don't Stand A Ghost Of A Chance; I Dream Of You (More Than You Dream I Do); I Get A Kick Out Of You; I Get Along Without You Very Well (Except Sometimes); I Gotta Right To Sing The Blues; I Guess I'll Have To Change My Plan; I Hadn't Anyone Till You; I Love My Wife; I Should Care; I Think Of You; I Thought About You; I Wanna Be Around; I Wish I Were In Love Again; I'll Be Around; I'll Never Smile Again; I'm A Fool To Want You; I'm Gonna Sit Right Down And Write Myself A Letter; I've Got A Crush On You; I've Got The World On A String; I've Got You Under My Skin; I've Never Been In Love Before; If I Had You; If I Should Lose You; If You Are But A Dream; Ill Wind (You're Blowin' Me No Good); Imagination; In The Blue Of Evening; In The Cool, Cool, Cool Of The Evening;
In The Still Of The Night; In The Wee Small Hours Of The Morning; Isle Of Capri; It All Depends On You; It Could Happen To You; It Happened In Monterey; It Was A Very Good Year; It's A Blue World; It's A Lonesome Old Town; It's A Wonderful World; It's The Same Old Dream; Just In Time; The Lady Is A Tramp; The Last Dance; Last Night When We Were Young; Lean Baby; Learnin' The Blues; Let's Get Away From It All; Like Someone In Love; Linda; The Look Of Love; Love And Marriage; Love's Been Good To Me; Luck Be A Lady; Maybe You'll Be There; Me And My Shadow; Monday Morning Quarterback; Moonlight Becomes You; Moonlight In Vermont; More (Ti Guarder� Nel Cuore); The Most Beautiful Girl In The World; My Baby Just Cares For Me; My Heart Stood Still; My KindOf Town (Chicago Is); My Way; Nancy - With The Laughing Face; The Nearness Of You; Theme From 'New York, New York'; Nice 'n' Easy; Nice Work If You Can Get It; Night And Day; Oh! Look At Me Now; Oh! What It Seemed To Be; Ol' Man River; On The Road To Mandalay; On The Sunny Side Of The Street; One For My Baby (And One More For The Road); Only The Lonely; Our Town; Please Be Kind; Pocketful Of Miracles; Put Your Dreams Away (For Another Day); Ring-A-Ding Ding; River, Stay 'Way From My Door; Roses Of Picardy;
Same Old Saturday Night; Sand and Sea; Satisfy Me One More Time; Saturday Night (Is The Loneliest Night Of The Week); The Second Time Around; Send In The Clowns; The September Of My Years; Serenade In Blue; Should I?; Sleep Warm; Somebody Loves Me; Somethin' Stupid; Somewhere Along The Way; Somewhere In Your Heart; The Song Is Ended (But The Melody Lingers On); The Song Is You; South Of The Border (Down Mexico Way); Stardust; Stella By Starlight; Strangers In The Night; Style; The Summer Knows; Summer Wind; Sunday; Sunday, Monday Or Always; S'posin'; Swinging On A Star; Talk To Me; (Love Is) The Tender Trap; That Old Feeling; That's Life; Then Suddenly Love; There Are Such Things; There's No You; They All Laughed; They Can't Take That Away FromMe; They Say It's Wonderful; This Love Of Mine; Three Coins In The Fountain; Time After Time; To Love And Be Loved; The Very Thought Of You; Wait Till You See Her; Walking In The Sunshine; The Way You Look Tonight; Well, Did You Evah?; What Is This ThingCalled Love?; What's New?; When The World Was Young; Where Are You; Where Is The One; Where Or When; Why Can't You Behave?; Winners; Witchcraft;
Wrap Your Troubles In Dreams (And Dream Your Troubles Away); Yes Indeed; You And Me (We Wanted It All); You Are There; You Brought A New Kind Of Love To Me; You Make Me Feel So Young; You, My Love; You Turned My World Around; You'd Be So Nice To Come Home To; You'll Never Know; You're Driving Me Crazy! (What Did I Do?); You're Sensational; Young At Heart.
Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:
Description | Price |
---|---|
Rimsky-Korsakov Quintet in Bb [1011-1 w/piano] Item: 26746 |
$28.75 |
The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute, the second for Oboe, the third for Clarinet, the fourth for Bassoon, and the fifth (separated from the woodwinds by a dash) is for Horn. Any additional instruments (Piano in this example) are indicated by "w/" (meaning "with") or by using a plus sign.
This woodwind quartet is for 1 Flute, no Oboe, 1 Clarinet, 1 Bassoon, 1 Horn and Piano.
Sometimes there are instruments in the ensemble other than those shown above. These are linked to their respective principal instruments with either a "d" if the same player doubles the instrument, or a "+" if an extra player is required. Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:
Note the "2+1" portion means "2 oboes plus english horn"
Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:
Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:
Description | Price |
---|---|
Copland Fanfare for the Common Man [343.01 w/tympani] Item: 02158 |
$14.95 |
The bracketed numbers tell you how many of each instrument are in the ensemble. The first number stands for Trumpet, the second for Horn, the third for Trombone, the fourth (separated from the first three by a dot) for Euphonium and the fifth for Tuba. Any additional instruments (Tympani in this example) are indicated by a "w/" (meaning "with") or by using a plus sign.
Thus, the Copland Fanfare shown above is for 3 Trumpets, 4 Horns, 3 Trombones, no Euphonium, 1 Tuba and Tympani. There is no separate number for Bass Trombone, but it can generally be assumed that if there are multiple Trombone parts, the lowest part can/should be performed on Bass Trombone.
Titles listed in our catalog without bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:
Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:
Description | Price |
---|---|
Atwell Vance's Dance [0220] Item: 32599 |
$8.95 |
These numbers tell you how many of each instrument are in the ensemble. The first number stands for Violin, the second for Viola, the third for Cello, and the fourth for Double Bass. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual 2110. Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:
Following some titles in our Orchestra & Band catalogs, you will see a numeric code enclosed in square brackets, as in these examples:
Order Qty | Description | Price | |
---|---|---|---|
Beethoven Symphony No 1 in C, op 21 [2,2,2,2-2,2,0,0, tymp, 44322] |
$150.00 | ||
Jones Wind Band Overture [2+1,1,3+ac+bc,2,SATB-2+2,4,3+1,1, tymp, percussion, double bass] |
$85.00 | ||
MacKenzie Hines Pond Fantasy (DePaolo) [2d1+1,1,2+1,1-2,2(+2),3,0, perc, tymp, 44322, Eb clarinet, SAATB saxes, trombone solo] |
$75.00 |
The bracketed numbers tell you the precise instrumentation of the ensemble. The system used above is standard in the orchestra music field. The first set of numbers (before the dash) represent the Woodwinds. The set of numbers after the dash represent the Brass. Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part (first violin, second violin, viola, cello, bass). Other Required and Solo parts follow the strings:
Principal auxilary instruments (piccolo, english horn, bass clarinet, contrabassoon, wagner tuba, cornet & euphonium) are linked to their respective instruments with either a "d" if the same player doubles the auxiliary instrument, or a "+" if an extra player is required. Instruments shown in parenthesis are optional and may be omitted.
Example 1 - Beethoven:
The Beethoven example is typical of much Classical and early Romantic fare. In this case, the winds are all doubled (2 flutes, 2 oboes, 2 clarinets and 2 bassoons), and there are two each horns and trumpets. There is no low brass. There is tympani. Strings are a standard 44322 configuration (4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass). Sometimes strings are simply listed as "str," which means 44322 strings.
Example 2 - Jones: (concert band/wind ensemble example)
The second example is common for a concert band or wind ensemble piece. This ficticious work is for 2 flutes (plus piccolo), 1 oboe, 3 clarinets plus alto and bass clarinets, 2 bassoons, 5 saxes (soprano, 2 altos, tenor & bari), 2 trumpets (plus 2 cornets), 3 trombones, euphonium, tuba, tympani, percussion and double bass. Note the inclusion of the saxes after bassoon for this band work. Note also that the separate euphonium part is attached to trombone with a plus sign. For orchestral music, saxes are at the end (see Saxophones below. It is highly typical of band sets to have multiple copies of parts, especially flute, clarinet, sax, trumpet, trombone & percussion. Multiples, if any, are not shown in this system. The numbers represent only distinct parts, not the number of copies of a part.
Example 3 - MacKenzie: (a fictional work, by the way).
In the third example, we have a rather extreme use of the system. It is an orchestral work for piccolo, 2 flutes (1 of whom doubles on piccolo), 1 oboe, 2 clarinets plus an additional bass clarinet, 1 bassoon, 2 horns, 2 trumpets (plus an optional 2 cornets), 3 trombones, no tuba, percussion, tympani, 6 first violins, 6 second violins, 4 violas, 3 cellos, 2 double basses, Eb clarinet (as an additional chair, not doubled), 5 saxes (soprano, 2 alto, tenor & baritone) & a trombone soloist.
Note: This system lists Horn before Trumpet. This is standard orchestral nomenclature. Unless otherwise noted, we will use this system for both orchestra and band works (in most band scores, Trumpet precedes Horn, and sometimes Oboe & Bassoon follow Clarinet). Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.
Saxophones, when included in orchestral music (they rarely are) will be shown in the "other instrument" location after strings and before the soloist, if any. However for band music, they are commonly present and therefore will be indicated after bassoon as something similar to "SAATB" where S=soprano, A=alto, T=tenor and B=baritone. Letters that are duplicated (as in A in this example) indicate multiple parts.
And finally, here is one more way to visualize the above code sequence: