Late Renaissance/Early Baroque. This motet, Visita, quaesumus Domine, asks the blesing of everlasting peace. Byrd's decision to use two soprano voices, alto and tenor, suggests celestial - not earthly - viuces, and the music anticipates a state of unending heavenly bliss through beautiful and harmonious polyphony which evolves gracefully from beginning to end. The tranquility of the final amen cadence beckons towards infinity rather than finality. --the publisher