Written in a "Neo-Renaissance" style, this double quartet draws inspiration from the antiphonal music of the Italina Renaissance. In this style, composers created music for performers placed in two or more separate locations in a church, with musical passages often passed back and forth between the groups. da Lontano explores the concept of "music from a distance"; both spatial and temporal: spatial in the sense of acoustic separation of the two sub-groups, and temporal because the musical style makes reference to the past. - the composer