— "I love playing these because they are beautifully melodic and every note is coming from and going to a natural slur. I think you have really hit the essence of Arnold Jacobs' teaching. This makes it easy: just blow air and move your lips and slide with the rhythm. Thank you, Brad Edwards!" -Charlie Vernon,
Bass Trombone, Chicago Symphony Orchestra1. Slow Slurs - To build tone, improve range and develop control.
2. Fast Slurs - To build facility throughout the range of the instrument. 3. Lip Slur Melodies - Etudes reminiscent of the Bordogni vocalizes with an interesting twist: all the legato phrases can be played completely with natural lip slurs.Kudos:
This is the bible of Lip Slurs. If you ever get bored of your routine, simply get a copy of Brad Edwards' Lip Slur Book and these exercises will last you a lifetime. I have always said that it essential to visit lip slurs everyday you pick up the horn. This is the perfect book to keep you going. --- Joe Alessi, Principal Trombone, New York PhilharmonicIn his book "Lip Slurs," Brad Edwards has taken an important part of the trombone player's daily routine and added clarity to it. His approach is sensible, the exercises are comprehensive and the result is undeniably positive. Kudos to Brad Edwards for this excellent addition to the trombone repertoire; he has brought the concept of the lip slur forward to the post-modern trombonist who may have mistakenly thought that he already understood the subject well enough. ---Douglas Yeo, Bass Trombonist, Boston Symphony Orchestra
I was really impressed by the insight and organization of your Lip Slurs book. With every page I practiced and played, I was amazed at the variety of patterns that you discovered. Not only is your book a perfect challenge for any serious trombonist, it also allows each one of us the opportunity to excel in this vital technical area of trombone playing. Bravo for this first rate etude book. I predict that Lip Slurs will quickly find its way into the personal libraries of trombonists everywhere. ---Milton Stevens, Principal Trombonist, National Symphony Orchestra
I looked at your lip slurs book and I think it is fantastic! Very well done. Lots of variety, well laid out, good explanations and the etudes are great - very clever. I intend to recommend them to my students. ---Matt Vaughn, Associate Principal Trombonist, Philadelphia Orchestra
Category: TROMBONE STUDIES & ETUDES
Item: 058960
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Category: TROMBONE STUDIES & ETUDES
Item: 120239
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This is a carefully paced method which incorporates pitch matching exercises which require alternating between playing and singing repeated pitches, groups of pitches, and eventually being able to sing and play challenging intervals accurately and in tune. This technique is explored via a mixture of short and extended exercises as well as some familiar melodies such as Amazing Grace, Danny Boy, America (God Save the Queen), Beethoven's Ode to Joy, and others. Exercises incorporate scales (major, minor, chromatic, whole tone), arpeggios (major, minor, diminished, augmented, dominant 7th), modes, lip slurs, spreading intervals, circle of 4ths exercises, chord progressions, Vining also includes more sophisticated and extended examples in which to apply the playing/singing approach: MARCELLO: Sonata in G; BIZET: Prelude to Act 1, from Carmen; MUSSORGSKY: Promenade, from Pictures at an Exhibition, MAHLER: Trauermarsch, from Symphony No. 5;TCHAIKOWSKY: Neapolitan Dance, from Swan Lake; BORDOGNI: Vocalises No. 2, 5, 6,12, 15; VINING: Jazz Study. -pc
Category: TRUMPET STUDIES & ETUDES
Item: 073439
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